← Back To All Posts
Date:
August 16, 2022

Culture As a Tool of Propaganda During Wartime

Culture is the combination of language, music, geography, history, religion, and cuisine that describes people in different world regions. Culture permeates our identity; it is our societal fingerprint.

While media companies use culture to decide which movies or TV shows are more likely to resonate with audiences, regulators use it to enforce legal standards or ban content not in compliance with the local customs. Their stated purpose is to protect their citizens from content that insults their religious sensibilities, is too violent or sexual, keeps objectionable ideas from reaching the public, or is politically divisive. If Government regulators disagree with a title theme or subject matter, they can force changes or halt distribution. However, under certain circumstances, they may favor --and even promote-- titles with themes favorable to the government's policies or positions. This is more likely to happen in countries with autocratic, theocratic, or monarchical forms of government.

Life During Wartime Propaganda

At no time is this truer than during times of war when the objective culture of media, regardless of form, is co-opted by the government to increase public support of the war effort and demonize the enemy. We're not suggesting democratic forms of government don't use media propaganda to engage in similar ways. They do. The difference is that gross deception is employed to make military action cases that aren't based on fact and instead driven by the leaders' personal, ideological, territorial, or political ambitions. Contrary to countries with more open media and more unrestrained press, opposing viewpoints are heavily restricted or prohibited altogether. The only information the public hears supports the government's position. There is evidence of this in the current Russia/Ukraine conflict.

In the last few weeks, the Russian government has made a determined effort to stop the free flow of information to its people. It has blocked access to western social media platforms like Facebook and Twitter. It has shut down independent press outlets, criminalized public protests , and threatened any citizen or journalist from any media outlet with a jail term of up to 15 years for reporting or even Tweeting anything other than the official Kremlin position. Those arrested under these laws are accused in court of being "Anti-Russian" and "unpatriotic."

Variety reported a story on Russian cultural appropriation of film to help promote their motivation for the war. It quotes director Roman Bondarchuk who says the 1997 film "Brother," "which infected a whole generation of Russians with hatred for Ukraine…" was recently rereleased into Russian theaters. Bellingcat, an investigative website, reported that old video and news footage from the Crimean War in 2014 were reused and redistributed to promote a false flag narrative about the Ukrainian people. Russia deployed media propaganda to convince its citizens that the Ukrainian government was planning attacks on Russian soil or against separatists of Russian descent as a justification for Russia's invasion. Russian TV aired footage of attacks on Ukrainian civilians and falsely reported Ukraine's military was behind the attacks "to frame Russia." The intent is to suggest Ukrainians are the aggressor and, therefore, Russia must go into Ukraine to save fellow Russians.

None of that is true, but it has the desired effect. Russian public opinion polls show President Putin's job ratings have increased following the invasion, with a reported 69% of Russians approving his performance. The same poll indicates the public also believes Putin is standing up to western intrusion. This poll sits in direct contrast to an independent poll conducted last December when only 8% of Russians supported military action in Ukraine.

Other Effects of Propaganda

The current crisis in Europe isn't the only example of the misappropriation of culture for ulterior purposes. It is visible in efforts to marginalize LGBTQ+ populations, undermine minorities' right to vote , women's healthcare choices, and foment anti-immigrant sentiment worldwide.

Culture is used to educate and entertain audiences, but there is a flip side. It can also be a critical component of wartime propaganda, intended to agitate, anger, and bolster patriotism—all under false pretense.

It is up to the Media & Entertainment industry to empower people from all corners of the Earth to share their stories, to accurately portray underrepresented populations, and export culture respectfully and authentically -- all of which will bring about a more tolerant and harmonious world.

Related Insights

Spherex Classification Tool Now Approved for Home Entertainment Content in Australia

The Albanese Government has updated the Spherex Classification Tool approval to include ratings for theatrical releases, home entertainment, and streaming content in Australia. Spherex was previously approved to classify online films.

The update underscores the Australian Classification Board’s confidence in Spherex as a tool to help Australian viewers make informed choices about the content they consume. This means Australians can now access a range of new films sooner than they might across all formats and windows.

Spherex has a longstanding relationship with the Australian Classification Board. Since 2020, Spherex has collaborated closely with the Australian Government to ensure its technology reliably generates classification decisions that meet Australian standards and viewers' expectations.

As the world’s only commercial provider of local age ratings, Spherex has successfully produced classification decisions for high volumes of online content in over 100 countries. Since 2018, Spherex has issued over one million age ratings for digital content, including films, TV shows, and trailers, distributed by its clients worldwide.

Spherex customers, including Umbrella Entertainment, Madman Entertainment, and Sugoi Co., rely on its AI-based platform to obtain local age ratings in Australia and significantly improve efficiency, cost reduction, and market reach.

Discover how Spherex's cutting-edge AI-based platform can streamline your content classification process and enhance your market reach while reducing costs.

Visit spherex.com today and see how we can support your content distribution needs.

Read Now

nScreenNoise - Interview Spherex: Avoiding the cultural dead zone

One of the conundrums of streaming is that although a service can deliver content globally, it is not guaranteed to be acceptable in a particular local market. Netflix found this out when it announced global availability in 2016 at CES and was quickly banned in markets like Indonesia, where some of the content was deemed too violent or sexual. In 2016, without boots on the ground in a local market, it wasn’t easy to assess whether a show or movie would be culturally acceptable.

Today, global media companies are acutely aware of the importance of their content’s cultural fit. Moreover, they have a company like Spherex to help them prepare their content to ensure it fits with any country of interest. I interviewed Teresa Phillips, the Co-Founder and CEO of Spherex, at the recent OTT.X Summit in Los Angeles. She explained how the company is leveraging AI and its massive cultural profiling database to help companies prepare content for target markets. She also explained how, in the near future, AI would aid the company in measuring a movie or show’s cultural distance from a regional market and help it avoid falling into the failure zone between cultural fit and novelty interest.

Listen to the full interview here.

Read Now

Spherex Featured in the DPP's IBC 2024: Demand versus Supply Report

Spherex was featured in the DPP’s IBC 2024: Demand versus Supply Report, a comprehensive look at how the M&E industry is meeting key customer demands. The report focuses on the topics of empowering creators, understanding audiences, engaging users, and innovating the newsroom. It also highlights many of the technical innovations seen at the recent IBC Show.

An article by Spherex’s CEO Teresa Phillips titled "Navigating Cultural Resonance in Global Media: The Art and Science of Culture Mixing" was featured in the report, exploring how Spherex is pioneering the future of culturally informed content.

Teresa shares how cultural mixing has become a critical strategy for creating content that appeals to diverse audiences in today's global media landscape. This phenomenon involves blending elements from different cultures to craft films and television shows that resonate globally while adhering to local regulations.

However, the process of culture mixing is fraught with risks. Superficial or stereotypical representations can lead to accusations of cultural appropriation or insensitivity, alienating audiences and damaging a company's reputation. For example, imposing Western concepts on Eastern content without proper context can feel inauthentic and jarring to local viewers. These missteps highlight the need for a nuanced understanding of cultural elements to ensure that content is respectful and engaging.

To address these challenges, M&E companies are increasingly turning to data-driven solutions. Platforms like SpherexAI utilize artificial intelligence to analyze visual, audio, and textual elements, providing insights into how well content aligns with cultural and regulatory standards across over 200 countries and territories. This approach helps media companies understand the "cultural distance" between a title's origin and its target market, enabling them to make informed decisions about global distribution.

By leveraging these advanced tools, M&E companies can go beyond traditional content localization. They can create media that actively engages and resonates with diverse audiences. As the industry continues to evolve, those companies that embrace culturally informed, data-driven approaches will be better positioned to succeed, fostering cross-cultural understanding and trust while delivering globally appealing content.

Download the report here.

Read Now