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Date:
December 18, 2020

Now the Longest Running Comedy Sitcom: 'It's Always Sunny in Philadelphia'

More hours are being spent on the couch than on the road now with everyone in quarantine and working from home. We have seemingly replaced commuting in cars to bingeing TV. Streaming platforms are taking advantage of this new reality by churning out as much original content as they can. Older, forgotten shows are getting rebooted or renewed for additional episodes exclusively for their respective platforms. The show "Friends" has a reunion special confirmed to be exclusive to HBOMAX in 2021. Similarly, Disney+ already released new original episodes of the once canceled animated series "Star Wars: The Clone Wars." If these networks continue this trend, who will have the longest running series? Currently, the longest running animated television series goes to "The Simpsons" (Fox) with 32 seasons followed by "South Park" (Viacom/HBO) with 23 seasons. On the other hand, "Law and Order: SVU" (NBC) has 22 Seasons making it the longest running scripted drama series. As for scripted comedy the record now belongs to "It's Always Sunny in Philadelphia" which, according to Brandon T. Harden's article , just got renewed for four more seasons thus making it the longest running live action scripted comedy series on television with 18 seasons.

The 15th season of "It's Always Sunny in Philadelphia" will premiere on FXX on an unspecified date in 2021 and the following day on FX on Hulu. Interestingly, FXX and Hulu fall under the Fox/Disney umbrella. The show follows a neurotic group of friends who run a bar in South Philadelphia and get into all sorts of greasy shenanigans-funded by the father of two of the characters. Some might complain that 18 seasons of this obnoxious comedy is too many. But you can't argue with success as evidenced by the thriving careers of the cast. Rob McElhenney now has his own show "Mythic Quest: Raven's Banquet" which is exclusive to AppleTV. Charlie Day has had major screen roles and did voice acting work with Disney/Pixar. Kaitlin Olson has also had success with Disney and Pixar in her role as Destiny in "Finding Dory." Glenn Howerton starred in his own show "A.P. Bio" which premiered in September on NBC's Peacock streaming platform. And finally, the legendary Danny Devito's career continues to flourish at 76.

According to Harden, "The Adventures of Ozzie and Harriet," previously held the longest running series record with 14 seasons (1952 through 1966). It's ironic that The Mouse Empire now owns "It's Always Sunny in Philadelphia" (thanks to its recent Fox acquisition) and that it is has lasted this long on television. Pop on any episode and it's very likely you will see scenes of drunken debauchery like a fully nude and sweaty Danny Devito hastily emerging from a leather couch during a holiday work party. Or it's the episode where the gang solves the mystery of who pooped the bed; naturally, it was Danny Devito's character Frank. The writers and actors have no comedic limits which might explain its rabidly loyal fan base who continually watch reruns and post "Always Sunny" memes on social media.

It would be wise for Disney+ to incorporate the "Always Sunny" gang into its rumored R-Rated section if they want to expand their adult viewership. The cast is clearly getting older, but they still plan on continuing the show for as long as possible. Creator/co-star Rob McElhenney took to Twitter claiming that "Sunny was originally pitched as a 36-season arc. So happy to be halfway done." Tim Molloy in his article notes that McElhenney didn't appreciate how characters in other shows "always get better looking in later seasons, as storylines get syrupier and their stars get richer." For its seventh season, McElhenney decided sudden weight gain or "cultivating mass" would be a "perfect way to mock other sitcoms and capsize the relentless vanity of his character, Mac." A clever alternative to the current methods implemented in wardrobe and makeup popularized in productions today. Danny Devito's character Frank summarized this moment of uncertainty best by telling fans "Well, I don't know how many years on this Earth I got left. I'm gonna get real weird with it." Apparently, he's spending it filming more "Always Sunny," and it has already been really weird. Well done gang.

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Spherex Classification Tool Now Approved for Home Entertainment Content in Australia

The Albanese Government has updated the Spherex Classification Tool approval to include ratings for theatrical releases, home entertainment, and streaming content in Australia. Spherex was previously approved to classify online films.

The update underscores the Australian Classification Board’s confidence in Spherex as a tool to help Australian viewers make informed choices about the content they consume. This means Australians can now access a range of new films sooner than they might across all formats and windows.

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As the world’s only commercial provider of local age ratings, Spherex has successfully produced classification decisions for high volumes of online content in over 100 countries. Since 2018, Spherex has issued over one million age ratings for digital content, including films, TV shows, and trailers, distributed by its clients worldwide.

Spherex customers, including Umbrella Entertainment, Madman Entertainment, and Sugoi Co., rely on its AI-based platform to obtain local age ratings in Australia and significantly improve efficiency, cost reduction, and market reach.

Discover how Spherex's cutting-edge AI-based platform can streamline your content classification process and enhance your market reach while reducing costs.

Visit spherex.com today and see how we can support your content distribution needs.

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Today, global media companies are acutely aware of the importance of their content’s cultural fit. Moreover, they have a company like Spherex to help them prepare their content to ensure it fits with any country of interest. I interviewed Teresa Phillips, the Co-Founder and CEO of Spherex, at the recent OTT.X Summit in Los Angeles. She explained how the company is leveraging AI and its massive cultural profiling database to help companies prepare content for target markets. She also explained how, in the near future, AI would aid the company in measuring a movie or show’s cultural distance from a regional market and help it avoid falling into the failure zone between cultural fit and novelty interest.

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Spherex was featured in the DPP’s IBC 2024: Demand versus Supply Report, a comprehensive look at how the M&E industry is meeting key customer demands. The report focuses on the topics of empowering creators, understanding audiences, engaging users, and innovating the newsroom. It also highlights many of the technical innovations seen at the recent IBC Show.

An article by Spherex’s CEO Teresa Phillips titled "Navigating Cultural Resonance in Global Media: The Art and Science of Culture Mixing" was featured in the report, exploring how Spherex is pioneering the future of culturally informed content.

Teresa shares how cultural mixing has become a critical strategy for creating content that appeals to diverse audiences in today's global media landscape. This phenomenon involves blending elements from different cultures to craft films and television shows that resonate globally while adhering to local regulations.

However, the process of culture mixing is fraught with risks. Superficial or stereotypical representations can lead to accusations of cultural appropriation or insensitivity, alienating audiences and damaging a company's reputation. For example, imposing Western concepts on Eastern content without proper context can feel inauthentic and jarring to local viewers. These missteps highlight the need for a nuanced understanding of cultural elements to ensure that content is respectful and engaging.

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By leveraging these advanced tools, M&E companies can go beyond traditional content localization. They can create media that actively engages and resonates with diverse audiences. As the industry continues to evolve, those companies that embrace culturally informed, data-driven approaches will be better positioned to succeed, fostering cross-cultural understanding and trust while delivering globally appealing content.

Download the report here.

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