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Date:
February 16, 2023

Useful AI Requires Tons of Data

To operate successfully in a country, content providers and streaming platforms must comply with local regulations and perceive cultural sensitivities. This entails everything from editing prohibited content and assigning correct age ratings to accurately portraying religions and sub-cultures. With nearly 200 countries worldwide, it's almost impossible for any content creator to know what is or is not prohibited in certain countries. Cultural competence is crucial, and that's where Spherex is unmatched. We know how to handle all these issues and get them right the first time to reduce cost, mitigate risk, and accelerate time-to-market.

An Ounce of Prevention is Worth a Pound of Cure

Before releasing a title in a market, it is better to be aware of regulatory and censorship red flags in the content. Doing so allows the creative teams to proactively decide how to handle concerns on their terms and make edits when production schedules and costs are the most manageable and economical. With the number of titles released annually growing exponentially, it's impossible for humans alone to accurately and consistently prepare each title for global distribution. State-of-the-art machine learning (ML) and artificial intelligence (AI) systems now significantly augment human capacity to analyze and process millions of hours of video content for localization and regulatory compliance worldwide. Spherex is at the forefront of using AI/ML to provide age rating and cultural and regulatory insights gleaned from the analysis of millions of titles to identify the explicit scenes that may be problematic across global markets.

The traditional way of addressing these concerns is in post-production localization. Script and action translation have been part of the post-production process for decades. Problems arise when reliance on language translation misses cultural references, thus creating opportunities for unacceptable content to be overlooked and released to audiences. Violence, sexuality, drug use, and other events within a title can be perceived differently ! even in neighboring countries. Therefore, knowing those differences are critical during localization.

Machine Interpretation of Content

Human or machine "intelligence" is obtained through "learning." For humans, learning starts when we're born and proceeds throughout our lives. We see, hear, feel and observe and, using our brains, put the input together to form words, thoughts, actions, and feelings. Machines, on the other hand, cannot. At their most fundamental level, what they know is narrowed down to zeros and ones, off and on, yes or no. Anything beyond that requires the development of programs and rules that govern what they can or cannot "do" based almost entirely on "true" or "false." The more we want them to know or do, the more complicated it becomes.

We've progressed significantly since the first tic-tac-toe computer game in 1952. Atlas and Spot, the famous AI dancing robots , required years of research, programming, development, and trial and error to enable them to walk, jump and balance on one foot without falling. At every development phase, they were taught to recognize surroundings and navigate objects to perform even the most mundane movements. Machines that analyze video and audio content must be trained in much the same way to "see" and "hear" objects and events. Simple tasks humans take for granted require machines to learn at the most fundamental levels.

What Spherexgreenlight™ had to Learn

Consider Spherexgreenlight™ and other Spherex AI technologies. Not only did the tools have to learn how to examine video and listen to audio, but they also had to be able to identify people, places, and things appearing in the video and combine findings to analyze and interpret the scene. For example, is a knife used for peaceful or harmful purposes? How does music impact or influence scene interpretation? What emotions are visible? What are the cues to determine the mood of a scene? How do animated and live scenes differ? When is drug use good versus bad? Are all curse words equal? It quickly becomes complex.

Training the Spherex AI/ML platform took years of development. It required terabytes of descriptive data covering every aspect of digitized video content to build the core intelligence of the system. We mined thousands of policy manuals, historical literature, local film/TV classifications, current affairs, judiciary decisions on sensitive topics (e.g., LGBTQ, sexual violence, self-harm, blasphemy and religious practices, drug use, and more), and consumer grievances in 100+ countries, affording a deep, extensive library of data to facilitate curation accurately. We developed a comprehensive graph database, an enterprise system for screening and annotating content, and an ML-based rules engine to produce precise and consistent age ratings for every country and territory worldwide. Our systems detect and analyze approximately 1,000 attributes in video scenes that link to rules for one or more regions. Our culture graph embodies 8.3 million potential feature combinations.

Our dedication to the industry and regulators is found across the entire Spherex ratings platform. As with all AI products and services, Spherex AI systems can perform tasks because they are designed and trained well. System training doesn't occur once and then end; it requires the constant addition of new data and improvement in the video and audio analysis components to ensure the platform is as thorough and accurate as possible.

Contact us today to see what Spherexratings™ and Spherexgreenlight™ can do for your content.

Related Insights

Spherex Classification Tool Now Approved for Home Entertainment Content in Australia

The Albanese Government has updated the Spherex Classification Tool approval to include ratings for theatrical releases, home entertainment, and streaming content in Australia. Spherex was previously approved to classify online films.

The update underscores the Australian Classification Board’s confidence in Spherex as a tool to help Australian viewers make informed choices about the content they consume. This means Australians can now access a range of new films sooner than they might across all formats and windows.

Spherex has a longstanding relationship with the Australian Classification Board. Since 2020, Spherex has collaborated closely with the Australian Government to ensure its technology reliably generates classification decisions that meet Australian standards and viewers' expectations.

As the world’s only commercial provider of local age ratings, Spherex has successfully produced classification decisions for high volumes of online content in over 100 countries. Since 2018, Spherex has issued over one million age ratings for digital content, including films, TV shows, and trailers, distributed by its clients worldwide.

Spherex customers, including Umbrella Entertainment, Madman Entertainment, and Sugoi Co., rely on its AI-based platform to obtain local age ratings in Australia and significantly improve efficiency, cost reduction, and market reach.

Discover how Spherex's cutting-edge AI-based platform can streamline your content classification process and enhance your market reach while reducing costs.

Visit spherex.com today and see how we can support your content distribution needs.

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nScreenNoise - Interview Spherex: Avoiding the cultural dead zone

One of the conundrums of streaming is that although a service can deliver content globally, it is not guaranteed to be acceptable in a particular local market. Netflix found this out when it announced global availability in 2016 at CES and was quickly banned in markets like Indonesia, where some of the content was deemed too violent or sexual. In 2016, without boots on the ground in a local market, it wasn’t easy to assess whether a show or movie would be culturally acceptable.

Today, global media companies are acutely aware of the importance of their content’s cultural fit. Moreover, they have a company like Spherex to help them prepare their content to ensure it fits with any country of interest. I interviewed Teresa Phillips, the Co-Founder and CEO of Spherex, at the recent OTT.X Summit in Los Angeles. She explained how the company is leveraging AI and its massive cultural profiling database to help companies prepare content for target markets. She also explained how, in the near future, AI would aid the company in measuring a movie or show’s cultural distance from a regional market and help it avoid falling into the failure zone between cultural fit and novelty interest.

Listen to the full interview here.

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Spherex Featured in the DPP's IBC 2024: Demand versus Supply Report

Spherex was featured in the DPP’s IBC 2024: Demand versus Supply Report, a comprehensive look at how the M&E industry is meeting key customer demands. The report focuses on the topics of empowering creators, understanding audiences, engaging users, and innovating the newsroom. It also highlights many of the technical innovations seen at the recent IBC Show.

An article by Spherex’s CEO Teresa Phillips titled "Navigating Cultural Resonance in Global Media: The Art and Science of Culture Mixing" was featured in the report, exploring how Spherex is pioneering the future of culturally informed content.

Teresa shares how cultural mixing has become a critical strategy for creating content that appeals to diverse audiences in today's global media landscape. This phenomenon involves blending elements from different cultures to craft films and television shows that resonate globally while adhering to local regulations.

However, the process of culture mixing is fraught with risks. Superficial or stereotypical representations can lead to accusations of cultural appropriation or insensitivity, alienating audiences and damaging a company's reputation. For example, imposing Western concepts on Eastern content without proper context can feel inauthentic and jarring to local viewers. These missteps highlight the need for a nuanced understanding of cultural elements to ensure that content is respectful and engaging.

To address these challenges, M&E companies are increasingly turning to data-driven solutions. Platforms like SpherexAI utilize artificial intelligence to analyze visual, audio, and textual elements, providing insights into how well content aligns with cultural and regulatory standards across over 200 countries and territories. This approach helps media companies understand the "cultural distance" between a title's origin and its target market, enabling them to make informed decisions about global distribution.

By leveraging these advanced tools, M&E companies can go beyond traditional content localization. They can create media that actively engages and resonates with diverse audiences. As the industry continues to evolve, those companies that embrace culturally informed, data-driven approaches will be better positioned to succeed, fostering cross-cultural understanding and trust while delivering globally appealing content.

Download the report here.

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