On a recent trip to Hanoi, Vietnam, I booked a walking tour to explore the city. My guide was a young university student named Linh who came to Hanoi from a neighboring province a year earlier. As our group walked, Linh excitedly started talking about a TV series "8-Year-Old Bride" that was hugely popular in Vietnam. She further explained that the series was not produced locally, but rather in India. Curious, I decided to find out more about it.
Through research, I learned that the original show was the Indian soap opera drama "Balika Badhu," which aired in Vietnam under the title "Cô Dau 8 Tuôì" ("8-Year-Old Bride"). The show was aired from 2014 to 2017 and enjoyed immense popularity in Vietnam during its run--was the No. 1 show in Vietnam since its premiere. In 2015, the show was the ninth most searched item on Google in Vietnam. It was so popular that when key actors from the show visited Hanoi for a promotional trip organized by Viacom 18 (the Indian production company that created the show), they were mobbed by fans. Some women even gave actors their jewelry as a mark of respect and adulation .
Fascination with a particular TV show outside its country of origin is not new. Some shows capture the imagination of and connect to large global audiences. The compelling aspect in this case, though, is the strong appeal of the show despite cultural differences. Indeed, "Balika Vadhu," in which child marriage is the central theme, is quite an alien concept in the southeast Asian country.
While "Balika Vadhu" was a tremendously popular show, there is other content from India, Thailand and South Korea that resonates with Vietnamese audiences. Vietnam has a comparatively underdeveloped local content production industry, resulting in a large consumer appetite for imported content. Recently, many private studios and media companies have licensed foreign soap operas from neighboring Asian countries rather than producing their own. The audience ratings of foreign content are 3-5 times higher than those of Vietnamese programming, allowing more advertising revenues to flow into the country. Programming originated in Thailand and the Philippines perform particularly well because their people share common values with Vietnamese viewers, including family honor, respect for elders, and similar family or situational challenges.
Some of these foreign shows cater to the modern goals of the Vietnamese youth because they find them more attainable than the goals of Western societies. In the last few years, an entire subculture known as Hallyu -- or "pop wave" ! has emerged in Vietnam. Couples can be seen wearing His and Hers shirts, a practice that emulates what youths on popular soaps from South Korea are seen wearing.
As Vietnam teaches us, exporting culture -- when done artfully and respectfully -- deepens mutual understanding and respect among people of different nations.
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